The Most Significant Collection of Modern & Contemporary Art ever to Appear on the Market.
Sotheby’s recently revealed details of the forthcoming landmark sales of The Macklowe Collection — one of the most important collections, of any kind, ever to come to the market. Each of the 65 works is a consummate masterpiece in its own right; together they constitute an unrivaled ensemble that charts the high points of Western artistic achievement of the last 80 years.
Acquired over the course of half a century, the collection is the fruit of decades of searching, honing, and refining, driven by immense patience and an innate understanding of quality. Estimated to realize in excess of $600 million — the highest estimate ever placed on any collection to come to auction — The Macklowe Collection will be offered across two dedicated evening single-owner sales at Sotheby’s in New York, on November 15 this year, and in May 2022.
“The Macklowe Collection is a collection formed as the result of decades of rigorous, fearless and informed pursuit. The works are not only defining masterpieces of each artist’s aesthetic, they also speak to our emotions, our intellect and the daunting complexities of the human condition. The rarity, power and exceptional quality of Giacometti’s Le Nez — a fundamentally modern work — sets the tone for the entire collection, which continues, without pause, through to works created in the last decade.”Brooke Lampley, Sotheby’s Chairman & Worldwide Head of Sales for Global Fine Art
“These two sales — both uninterrupted streams of masterpieces — will be era-defining. While the voracious appetite for the best of the best is a constant in our world, the coming to the market of The Macklowe Collection will undoubtedly mark a watershed moment, elevating the playing field for collectors and for the art market as a whole.”Mari-Claudia Jiménez, Sotheby’s Chairman, Managing Director & Worldwide Head of Business Development for Global Fine Art
The first of the two sales will feature 34 works which together encompass an extraordinary breadth of 20th- and 21st-century art, ranging in date from the 1940s to works painted less than a decade ago, and including masterworks by Alberto Giacometti, Mark Rothko, Cy Twombly, and Andy Warhol. The sale will also shine a light on a distinguishing feature of the collection as a whole: its enormous depth.
Many artists – among them Jeff Koons, Brice Marden, Agnes Martin, Sigmar Polke, Gerhard Richter, Cy Twombly, and Andy Warhol – are represented by multiple works, each one marking a distinct and critical moment in their respective careers, and together forming an insightful portrait of the artists’ evolution over time.
THE MACKLOWE COLLECTION, NOVEMBER 15:
SELECTION OF HIGHLIGHTS
Alberto Giacometti, Le Nez. Estimate on request.
Conceived in 1947; this version was conceived in 1949 and cast circa 1964.
“Giacometti’s Le Nez dominates a room like few other sculptures I have ever seen. With its extraordinary combination of references and influences, from Surrealism to African sculpture to Jean-Paul Sartre, it encapsulates the aesthetic and intellectual essence of Giacometti’s art.”Helena Newman, Sotheby’s Chairman, Europe, and Worldwide Head of Impressionist & Modern Art
Like his great friend Jean-Paul Sartre, Giacometti was fascinated — tormented even — by the human condition, the exploration of which is at the heart of his oeuvre. In Le Nez — one of the artist’s most important and powerful sculptures — the striking form of the figure suspended within a cage evokes the fragility, aggression, and tension that lie at the heart of the existential experience so central to Giacometti’s art.
A powerful, audacious work that brings together references to Surrealism and African sculpture, Le Nez summarizes the existential angst of the moment in which it was created, and of the human condition more generally. No other example of this extraordinary work has ever appeared at auction, the majority of casts having been acquired almost immediately by major museums around the world.
The significance of this sculpture within the artist’s oeuvre was underlined when another cast of Le Nez was selected for the cover of the catalog of the 2018 Giacometti retrospective held at the Solomon R. Guggenheim Museum, New York.
Mark Rothko, No. 7, 1951. Estimate on request.
“A pivotal part of The Macklowe Collection for three decades, No. 7 epitomizes the best of Rothko’s palette, light and mood. Widely exhibited in some of the world’s greatest museums, this moving painting speaks to the caliber of the entire collection in which every artist is represented at their best.”Lisa Dennison, Sotheby’s Chairman, Americas
Executed in 1951, No. 7 dates from the key moment in the early 1950s during which Rothko developed his signature style of abstraction and mature mode of artistic expression. Other significant works from this critical year are in the collections of such esteemed institutions as the Tate Gallery, London; National Gallery of Art, Washington D.C.; and the Tel Aviv Museum of Art.
The towering scale of the painting encourages deep contemplation and a profound optical experience. First exhibited at The Betty Parsons Gallery in New York in the year it was painted, No. 7 has since been included in several major exhibitions of Rothko’s oeuvre, including the traveling retrospective exhibition organized by the National Gallery of Art in 1998. It was previously owned by American collector Sarah Campbell Blaffer, who assembled one of the most important collections of modern art in the United States during the 20th century.
Andy Warhol, Nine Marilyns, 1962. Estimate: $40–60 million.
“This is one of the most arresting paintings of Warhol’s entire revolutionary output and a key masterpiece of his early Pop icons. In Marilyn Monroe, Warhol found the ultimate embodiment of his artistic obsessions: the cult of celebrity and the spectacle of death and disaster. Repeated nine times with incredible precision, his depiction here is a haunting testament to the enduring power of Warhol’s art and one of the very strongest renderings of his most important subjects.”Grégoire Billault, Sotheby’s Chairman for Contemporary Art
Rendered in succession with startling clarity and crispness against a luminous metallic background — conjuring the silver screen of the cinema — Warhol captures Monroe’s visage with haunting power. From the time of Monroe’s death in August 1962 to the end of that year, Warhol created 20 silkscreen paintings based on a famous 1953 publicity photograph of Monroe from the film Niagara. Of those 20, there are only six serial Marilyn paintings in which her face is repeated on nine or more screens. This work is one of just two from this select group still in private hands.
Cy Twombly, Untitled, 2007. Estimate: $40–60 million.
“This work — one of my favorites in the collection — takes its inspiration from Asia, where it will also undoubtedly appeal. But beyond that, great art transcends all cultural boundaries; no matter what your native language, The Macklowe Collection speaks powerfully in a voice that needs no translation.”Patti Wong, Sotheby’s Chairman, Asia
One of a group of six monumental paintings known as A Scattering of Blossoms, Twombly’s Untitled from 2007 is a vast expression of the unbridled energy and inspiration that characterize the artist’s late-career. All the works from this important series are now in the world’s most esteemed private and institutional collections, and this marks the first time that one will appear on the secondary market.
Inspired by the haiku of the famous 17th-century Japanese poets Bashō and Kikaku, the Blossom paintings bring together allusions to Japanese culture and aesthetic contemplation with influences from the French Enlightenment and Greek mythological tradition. In Untitled, the painterly exuberance of the bright red blossoms and vigorous expressionistic brushwork set against the pale green ground recalls the rich surfaces of the artist’s earlier canvases of the 1960s, now articulated on an epic scale.
Acquired in the same year it was painted, this masterpiece summarizes the artist’s greatest triumphs as he neared the end of his life.
Gerhard Richter, Seestück, 1975. Estimate $25–35 million.
“Evoking the Romantic landscapes of Caspar David Friedrich, John Constable’s famous cloud studies, and the atmospheric light effects of J.M.W. Turner, this spectacular work is at the same time resolutely contemporary — a powerful illustration of Richter’s towering status among today’s living artists.”Oliver Barker, Sotheby’s Chairman, Europe and Auctioneer for the two sales
Emanating celestial light on a spectacular scale, this piece is illustrative of the aesthetic and conceptual mastery that has come to define Richter’s revolutionary body of work. One of only four Richter seascapes of this scale, all executed in 1975 and housed in prominent collections around the world, Seestück captures aspects of Richter’s photo-based paintings and anticipates his abstract tendencies, at the same time bringing into focus the late 20th-century debate around the role and legitimacy of painting.
Willem de Kooning – Untitled XXXIII from 1977 (estimate $12–18 million) and Untitled IV from 1983 (estimate $10–15 million).
“These two masterpieces, both major milestones in the development of de Kooning’s artistic practice, together illustrate the remarkable evolution of his art: each succinctly embodies the preoccupations and stylistic themes that defined the artist’s output in two critical decades.”Michael Macaulay, Sotheby’s Senior International Specialist for Contemporary Art
These two masterpieces, both major milestones in the development of de Kooning’s artistic practice, together illustrate the remarkable evolution of his art: each succinctly embodies the preoccupations and stylistic themes that defined the artist’s output in two critical decades. Rendered in sumptuous passages of creamy whites, cool whites, and fiery reds, Untitled XXXIII belongs to a period of explosive creativity in the late seventies that produced an illustrious body of large-scale, color-drenched canvases.
In Untitled IV, painted just a few years later in 1983 and acquired that same year, the luxuriant and tactile impasto of Untitled XXXIII resolves into ribbons of electric blue and red hues that possess a bold yet refined lyrical quality. With its enlivened spirit and fluidity of line, Untitled IV is significant among the artist’s early 1980s canvases for its vibrancy and dynamism. Each testifying to the unbridled glory of color and majesty of paint that has defined his career, these two works together capture the perpetual innovation of de Kooning’s inquiries into abstraction.
Pablo Picasso, Figure (Projet pour un monument à Guillaume Apollinaire) Estimate: $15–20 million.
Conceived in 1928; this version was enlarged and executed in 1962.
“This powerful and complex sculpture is homage to a profoundly significant friendship between the artist and the writer who most closely shared his ideals. Fittingly, Picasso kept this work in his possession until the end of his life – reflecting the importance to him, both of the sculpture itself and of the memory of his much-missed friend.”Simon Shaw, Sotheby’s Vice Chairman, Fine Arts Division
In addition to being one of France’s greatest poets, Apollinaire was also a highly influential commentator and advocate of Modernism, and of Picasso’s work in particular. Following the poet’s premature death at the age of 38 in 1918, Picasso was commissioned to design a monument for his friend.
This maquette – with its references to the Cubist forms that Apollinaire championed (he was the first to coin the term ‘Cubism’) and to the poet’s writings (in Le poète assasiné, Apollinaire describes the monument for the dead poet Croniamantal as ‘a statue of nothing, of a void, that is magnificent’) – is a powerful tribute to their friendship. Picasso’s desire to see the maquette for his monument to the poet realized on a grand scale was never fulfilled; but 30 years later, he had this version made and kept it in his collection thereafter.
Sigmar Polke, Rasterbild mit Palmen, 1966. Estimate: $8–12 million.
“The depth of works by Polke is one of the most exciting facets of The Macklowe Collection. Over the course of his career, Polke was resolute in one thing: constantly changing course. A consummate chameleon and alchemist, Polke’s experimentation in style, subject and medium challenged the possibilities of artistic expression. The five works in The Macklowe Collection — each from distinct periods — offer a concise survey of his career, and provide a tremendous opportunity for collectors to acquire some of his most important works.”David Galperin, Sotheby’s Head of Contemporary Art, Americas
An early triumph of Sigmar Polke’s iconic Rasterbilder (dot paintings) from the 1960s, Rasterbild mit Palmen marks the beginning of half a century of radical experimentation pursued by the artist over the course of his career. Painted the same year as Polke’s first solo show in Berlin, this important early work brings the viewer’s attention to the very mechanics of image production.
An archetype for otherworldly exoticism, the palm trees are reduced to silhouettes through dots, shadows, and varying shades of color. By breaking down the cohesiveness of the picture, Polke subverts the authority of the image, questioning the ‘objective truth’ of its subject, and unraveling the romantic promise offered by commercial images in postwar Germany.
Of the five works by Polke in the collection, four were formerly in The Saatchi Collection – once home to some of the most significant of the artist’s works, including his iconic Bunnies (1966) now in the collection of the Hirshhorn Museum in Washington, D.C. Together, the five works elucidate why this iconoclastic artist, who worked in so many different styles, is one of the most important of the postwar period.
The Macklowe Collection, November 15, 2021. Preview Exhibitions:
New York: September 9 – 12
Taipei: September 17 – 19
Hong Kong: October 7 – 11
London: October 9 – 17
Los Angeles: October 14 – 17
Paris: October 21 – 24
New York: November 5 – 15